I've been considering trying to get into an art show for about a year now, maybe more. My parents used to do art shows, so I had a wealth of knowledge to pull from. I knew that I wanted to try for a juried show, which is a show that you apply to and your work is judged before you're let into the show. These shows hold a little more weight in the art community, and I wanted to see if my photography would hold up to this higher standard.
To apply to an art show, I first had a find a show I wanted to do and that would fit into my school schedule. I found the website "Zapp", which lists art shows around the nation. I signed up to get their weekly e-mails and in one of these e-mails towards the end of April was the Lincoln Arts Festival. I read up on their show and decided the timing was right and the show was about the caliber I was looking for at 15,000 people attending and about 100 artists.
So here I was, ready to apply for the Lincoln Arts Festival. Ready to commit to exposing my photography to the world. Two things were hard to do: first, I had to pick my four best photos for the judges to see; second, I had to figure out what to do about the "booth shot". The booth shot is typically required to apply to an art show, so I got creative with powerpoint. A booth shot is meant to show the judges your body of work and how you plan to display this work. I worked carefully to place a bunch of photos in an appealing order on a slide, and then made this a jpeg. This is what it looked like:
After I uploaded my files and paid the application fee ($25), the waiting game began. I applied in early May and was supposed to hear back by the end of May. I went to the field for my first season of data collection in the Nebraska Sandhills. Things were tough. That first month of field work went by excruciatingly slowly, but reconnecting with Bryn was one of the benefits. After the expected response date passed, I was disappointed that I hadn't made it into the show, but I also hadn't had any official rejection letter. My Mom encouraged me to send an e-mail just to make sure, since they used to send rejections letters.
About a week passed before I finally decided to send the e-mail to the show organizers to confirm that I hadn't made it. I had the best surprise when, instead of a response to my e-mail, I got the official invitation to be in the show! Now I had to make my final decision whether to attend or not. I had to think about the time it would take to prepare for the show and the time I would need to spend during the show, which was at the beginning of a busy semester. Despite the time commitment and my already-time crunched schedule, I decided to go for it. I booked the booth space and was ready to start.
I spent my summer here, in the Nebraska Sandhills. |
I had everything sent to my parents house because my parents had all the tools I needed to put together my photographs, and I was headed there at the end of July. The tools I needed included a mat cutter (big heavy piece of precision equipment), a mounting press (another heavy piece of equipment, less precision), a heavy-weight paper cutter, a tacking iron, and all the leftover foam board and mat board for me to pick through and "borrow".
This photo shows the tools from left to right: mounting press, heavy-weight paper cutter, and mat cutter in the back. I was glad I didn't have to work in the basement! |
Finally my Dad and I decided to head over to my Grandpa's old house, which is now being rented out to a family. Dad was just out of surgery a few days before so he had to take it easy. While he went over to the house to let the renters know what we were up to, I headed over to the old dilapidated shack. Wouldn't you know the first place I looked was where the eighth metal panel was, leaned up against the outside of the shack. Then I went into the shack (I wish I had pictures of this part...) and rummaged around for a bit before Dad and the renter walked over. I saw something that looked like vinyl, and was white-ish in color. It had zippers. I had found one vinyl panel! It was like a miracle had happened, I had no hope of finding these things in the falling-down shack, but there was one of them. After I pulled microwaves and bricks and piles of dirt and other debris off, I pulled it free. Underneath that was another one, and over in a corner buried under squirrel's winter food stash was a third and fourth. I was feeling ecstatic--the display tent is probably the single most expensive investment when doing your first art show. I was lucky. Underneath even more metal scraps and bricks and piles of dirt was the top of the display tent. It had not fared so well; the mesh window panels were completely rotted through and the vinyl itself was in bad shape.
Here are the side panels and the top (right side). You can see how amazingly well the side panels did in that junk pile for 20 years and how not-so-well the top panel did. |
Dad enjoying our success and his burger. |
The 16x20 prints on 20x24 mount board were tricky because I had to do them in two presses in the mounting press. Luckily I had a couple photos from a botched batch to test it out on. I managed to get a huge bubble in on of these, but fixed it by poking holes in the mount board and pressing it again in a cold mounting press. I decided to wait on putting anything in plastic bags for display since I was running out of time and wanted to play with my nieces and nephew! I'd be back at the end of August to collect everything and would have some time then.
I drove home at the end of August for my cousin's wedding and to pick up all my art show supplies. I picked up Bryn at the Cleveland airport and we got home very early Friday morning. We spent most of Friday putting the finishing touches on the photos, putting them in display bags or frames, and mounting/matting some new photos that my Mom printed for me. We were busy the whole of Friday until the bonfire and then again on Saturday until we had to leave for the wedding.
Bryn helped me all day Friday. I think he appreciates the work that goes into art a little bit more! |
Lindsay was literally about to walk down the aislde when I strolled in. Bryn was a little more hesitant because he saw what was happening... |
Bryn touring the harbor in his fancy new clothes! |
After the wedding I did some final prep work and then we headed to bed, anticipating the long drive ahead of us. We were driving back to Lincoln on Sunday. It took longer than anticipated to pack the car the next morning, but we managed to fit our luggage and all of the art show supplies (except for the director's chair) into my car and put the metal panels on top. I love my car! The drive to Lincoln was uneventful, and after Bryn changed his flight from Monday (!) to Tuesday it was a bit more relaxed. We got to Lincoln and unloaded everything into my basement and grabbed some Chinese take-out.
For the better part of September I was brainstorming ways to set up my booth and how to best display my photos. I didn't want to invest in expensive displays like you see the pros using, so I had to get creative. My weekends were spent either doing more prep work on the photos themselves (some still needed to be bagged or framed) or wandering around hardware stores looking for ideas. I think what I ended up with turned out pretty great.
It all came together Friday before the show when I was finally able to set everything up at Southpointe Pavilion. I have to quickly thank Felipe, my Brazilian neighbor, for carrying the heavy panels from my basement and helping me get them onto my car. I packed up the rest of my supplies Thursday morning, grabbed my friend Nathan, and headed to set up the tent.
My tallest friend, Nathan, who helped me get the top and sides on my booth. |
One of my photos (bottom left) was even featured on show advertising! |
My friend Ilonka and her boyfriend Ivan came Sunday afternoon to help me pack everything up. We managed to get everything into my car, which makes me glad I didn't rent a van. They were such good helpers, too, it would have taken three times as long without them there. Thank goodness for friends!
It fits! (Ilonka, ever the model) |
Things I hope to change next time:
1. Make my booth a little taller. It was a tad shorter than the rest of the booths, and the taller folks bumped their heads sometimes. I could set it on cinder blocks?
2. Buy a dedicated rug instead of sacrificing a rug I really like.
3. Make up price cards for my photos. A gallery owner mentioned that people might think my work is too expensive if the prices aren't right there with the photos.
4. Put name labels next to the photos. It seemed like people wanted to know the title of the photo, whereas I thought this would be irrelevant if they liked the image.
5. Try to be a little more region-specific (or learn to lie?). Potential buyers seemed turned off once they learned most of the photos weren't in Nebraska. Darn!
6. Put more springs in my larger framed photos--the art show bugs really liked to crawl under the glass (as my parents warned me would happen). I think if the seal is tighter they won't be able to get in.
7. Find some re-usable zip ties. I zip tied my desk together, zip tied the vinyl to the metal panels, and zip tied the weights to the panels. I want to find something that I can re-use each time, and I think I've seen re-usable zip ties somewhere!
Tips for your first art show:
1. Make friends with your neighbors. They can provide support and also supplies if you forget something. My neighbor Kyle borrowed my step ladder a few times and I borrowed bubble wrap from my neighbor Dale.
2. Bring a lunch. Eat it! By the end of the second day I hadn't eaten much and was pretty faint when I had to pack up my car.
3. Drink water! Especially if the show is on black pavement. It can get really hot.
4. Sunscreen could be really important.
5. You can't print everything in every possible size; don't kick yourself when you don't have something in the size someone wants--you can't predict this sort of thing!
6. Price your images how you're comfortable. I picked my prices based on how they were priced at the gallery in Saskatchewan; some patrons said my prices were high and others said they were reasonable. Just do what you're comfortable with and if a person loves your image, they'll buy it.
7. Sleep well before each day of the show! It is exhausting.
8. I made some tweaks on the second day of the show (put a show-advertised photo out front to try to gain some attention and added price labels) to see if I could increase sales. This sort of thing is fine, but in my case it didn't make much of a difference. Be prepared to change some things if you think it will help sales.